Bitch Media seeks to be a fresh, revitalizing voice in contemporary feminism, one that welcomes complex, intersectional arguments and refuses to ignore the contradictory and often uncomfortable realities of life in an unequivocally gendered world. We are independent, we are feminist. We believe in pop culture as a valuable, dynamic site and we do not shy away from the rich and productive tensions that arise when analyzing and critiquing it through a feminist lens.

Bitch Media's content demonstrates our commitment to building community, deepening feminist conscience (individual and collective), and challenging systematic and cultural oppression with three standards.

(1) We create and curate original, responsive, interrogative, and engaging content that prioritizes the complex and shifting understandings of feminisms as a personal tool and social movement for liberation, justice, identity, and growth.

(2) We celebrate content that best challenges, reflects, equips, and empowers diverse feminist communities who are in robust conversation with mainstream media and pop culture.

(3) We choose and shape editorial content to deliver boldness characterized by originality, depth of insight, savvy, wit, and the practice of claiming an elusive truth that is either avoided by or escapes mainstream media outlets.

Glamour (#84)

Open: February 27, 2019 to May 20, 2019

Anyone can be attractive. Anyone can be sexy. But being glamorous—that's a whole different thing, a precise mix of allure, smarts, self-assurance, and style. Glamour is womanly yet not necessarily feminine; impossible to ignore but often mysterious. Glamour is a descriptor that's bestowed by others, rather than self-applied, not innate but instead achieved. No wonder it occupies a contested space for many of us.

From Hollywood’s film legends and the fashion industry’s rarefied status symbols to exuberant drag and enchantment with outlaws, we’ve long been seduced by proximity to glamour. But what makes someone—or something—glamorous, and who decides? Is it performance, and, if so, what is its goal? How is our understanding of glamour influenced by a media and pop culture that has historically valued—and continues to value—a singular, limited beauty standard? Does glamour require an audience in order to manifest? In issue 84, we’re seeking out new understandings of glamour, reconsiderations of its standard-bearers, analysis of its impacts on society, culture, careers, and more. 

How has the concept of glamour shaped our collective beliefs about fame and success? Who is responsible when pop culture “glamorizes” something harmful or dangerous? When did tabloids decide to make celebrities “just like us,” rather than shrouded in mystery? How do we reckon with revelations of wrongdoing by our personal and historical icons? Is there a way to celebrate glamour while also acknowledging its limitations?

KEY WORDS: designers, confidence, classic, celebrity, wealth, transgression, outlaw, mystique, bodies, trends, performance, fashion, fame, cotillions, labor, lingerie

SECTIONS: Features, Culture, Front-of-Book


Dispatches (1200 words) are missives from the frontlines. We’re looking for underreported and fascinating stories from across the country, the globe, and the realms of fiction that introduce Bitch readers to stories and topics they might not have encountered before. A great dispatch could be from Argentina or Tennessee just as easily as Westeros or the Wizarding World of Harry Potter.


Features are deep dives into the intersection of feminism and culture. Everything is culture to Bitch, including pop culture, social-justice movements, and technology. Longform and essay writers examine, ruminate, and push boundaries. The writing is tight, top-notch, and original. We are looking for pieces that not only dive deep, but dive where no one else is looking.

Investigative Essay (2500) You smell a buried story and want to tell the world what’s going on. Complete with research, reporting, and clear, concise writing, this piece braids information and intrigue and takes the readers on a journey through something underreported, unknown, or in need of a spotlight.

Cultural Feature (2000) Nonfiction feminist critical essays are not about the “I” statements—a Bitch essay critiques a larger systematic or cultural problem by centering a marginal community and exploring the impact of that issue for a particular demographic.  At its heart, it's a soaring cultural critique. This feature establishes your chops as a writer who is unafraid to go there. It’s an essay that demonstrates that you have cultivated your own distinct voice and your work unapologetically expresses an unforgettable message that centers your community, resistance, and establishes new ground with unchartered possibilities for how to live free.


This section is where Bitch brands and solidifies its cultural authority. From celebrating significant pieces of pop culture that are turning 20 to analyzing the Impact Of directors, producers, and screenwriters (600 words), Culture examines elements of our lives that show up in books, on screens, in music, and all over the internet.

Culture features three essays (800 words) that look at themes springing up in books, screen, and music, and explore the cultural context for that theme and why it’s significant. Are multiple TV shows depicting abortions? How is YA literature handling sexual assault? We want to know.

Culture wants to know the people behind-the-scenes who are making television and movie magic (1000 words). Who’s the next Ava Duvernay or Joi McMillon or Shonda Rhimes? These interviews highlight voices that are rarely tapped into.

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